![]() ![]() Synthetic Cubism (1912-1914) Synthetic Cubism adds color to the hitherto monochrome Cubist trend. But the following year he had joined the trend towards collage by Picasso and Braque, incorporating various materials such as wood and upholstery into his paintings. See also Paradox - Concept, definition and examples of paradoxesīy 1911, however, the Madrid painter Juan Gris began to be interested in light, incorporating it into his cubist works in a naturalistic way. This caused the new style to receive much rejection from the traditionalist sectors of painting, at the same time as the enthusiasm of avant-garde artists and cultural personalities such as Guillaume Apollinaire and Gertrude Stein, who wrote critical pieces on the importance of cubism. This approach was such that in many cases the works became practically abstract, since the planes became unrecognizable and independent of the volume of the painted object. Analytical Cubism (1909-1912) Many works of Analytical Cubism became practically abstract.Īnalytical Cubism or Hermetic Cubism was the initial stage of the movement, whose paintings were almost all monochrome and gray, focused on point of view and not chromaticity. ![]() However, other artists recognized for their cubist work were the French Georges Braque (1882-1963), Jean Metzinger (1883-1956), Albert Gleizes (1881-1953) and Robert Delanay (1885-1945), and the Spanish Juan Gris (1887-1927) and María Blanchard (1881-1932). The greatest exponent of Cubism was the Spanish Pablo Picasso (1881-1973), who is assumed to be the founder of aesthetics and the first cultist of his style. The difficulty of interpreting certain cubist paintings, given their rupture with all forms of naturalness, made it necessary to accompany the work with an explanatory text or of a critical nature, a gesture that would later become common in avant-garde works of art. But unlike Impressionism and Fauvism, they are painted in muted colors: grays, greens, and browns, especially in their early days. See also Accounting objectives (general and specific objective)Ĭubist paintings, well, lack depth, offer multiple points of view (instead of a single one), and they suppress most of the details of the objects they represent, often reducing them to a single feature: violins, for example, are recognized only by their tails.Īt the same time, the genre of Cubism paintings could not be more conventional: still lifes, landscapes, portraits. In doing so, he revolutionized the precepts in force in painting since ancient times, which is why cubism is considered the first of the artistic avant-gardes. On the contrary, Cubism recognizes and embraces the two-dimensional nature of the canvas and renounces three-dimensionality, trying rather to represent in its paintings all possible points of view of an object, simultaneously. In this regard, the Spanish painter Pablo Picasso, considered the greatest exponent of the movement, would later affirm that “When we did cubism, we had no intention of doing cubism, but only to express what we had inside.” Characteristics of cubism Cubist paintings suppress most of the details in the objects they represent.ĭespite what its name might suggest, cubism does not consist of painting through cubes. The term “cubism” however It was not proposed by the painters themselves, but by the critic Louis Vauxcelles, the same one who at the time gave Fauvism its name, who after attending an exhibition by Georges Braque (French, 1882-1963) affirmed that his works “reduced the landscape and the human body to insipid cubes”, and then proceeded to talk about cubism. His signature style explore a new geometric perspective of reality, looking at the objects from all possible points of view, which was a break with current pictorial models since the Renaissance. ![]() It is known by the name of cubism to an artistic movement of the 20th century which burst onto the European art scene in 1907, marking a strong distancing from traditional painting and setting a vital precedent for the emergence of the artistic avant-gardes. The characteristic style of cubism explores a new geometric perspective of reality. In addition, analytical and synthetic cubism and some works. We explain what cubism is, the characteristics and artists of this movement.
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